Critical and contextual text in Bernard Plossu's collection of reproduced Fresson prints from his time in the South Western United States in 1970s and 1980s. Plossu was much admired as a freewheeling photographer and adopted as one of their own by a generation of American artists. Hodgson argues that for all that, the Frenchman retained a profoundly European sensibility.
|Place of Publication||Paris, France|
|Volume||Bernard Plossu: Western Colors|
|Publication status||Published - 1 Jul 2016|
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- School of Art and Media - Professor in the Culture of Photography
- Photography in Practice; Photography in Theory Research and Enterprise Group
- Cultural Informatics Research and Enterprise Group